- By Blake Hounshell
Blake Hounshell is managing editor at Foreign Policy, having formerly been Web editor. Hounshell oversees ForeignPolicy.com and has commissioned and edited numerous cover stories for the print magazine, including National Magazine Award finalist "Why Do They Hate Us?" by Mona Eltahawy. He also edits The Cable, FP's first foray into daily original reporting, and was editor of Colum Lynch's Turtle Bay, which in 2011 won a National Magazine award for best reporting in a digital format.
Blake joined Foreign Policy in 2006 after living in Cairo, where he studied Arabic, missed his Steelers finally win one for the thumb, and worked for the Ibn Khaldun Center for Development Studies. Blake was a 2011 finalist for the Livingston Awards prize for young journalists for his reporting on the Arab uprisings, and his Twitter feed was named one of Time magazine's "140 Best Twitter Feeds of 2011." Under his leadership, in 2008, Passport, FP's flagship blog, won Media Industry Newsletter's "Best of the Web" award in the blog category. Along with Elizabeth Dickinson, he edited Southern Tiger: Chile's Fight for a Democratic and Prosperous Future, the memoirs of former Chilean president Ricardo Lagos, published by Palgrave Macmillan in 2012.
A graduate of Yale University, Blake speaks mangled Arabic and French, is an avid runner, and lives in Washington with his wife, musician Sandy Choi, and their toddler, David. Follow him on Twitter @blakehounshell.
Give Björk points for chutzpah. At the end of her song, “Declare Independence,” the iconoclastic Icelandic pop singer shouted, “Tibet! Tibet!” The incident would be unremarkable were she not in Shanghai at the time. Naturally, her outburst wasn’t reported in China’s rigidly state-controlled press, but it has stirred up nationalist anger online. And it made the closing moments of her concert a little awkward:
The atmosphere was very strange, uncomfortable compared to the rest of the concert,” said audience member Stephen Gow, a British teacher who lives in Shanghai. People didn’t boo, Gow said, but they left the Shanghai International Gymnastic Center hurriedly.
Björk appears to use the song as a neo-Wilsonian Mad-Lib. Last month, she dedicated it to Kosovo, and in the video for it, she wears an outfit bearing the flags of Greenland and the Faroe Islands, both Danish territory.