- By Stephen M. WaltStephen M. Walt is the Robert and Renée Belfer professor of international relations at Harvard University.
I was watching the Olympics last night, when a disquieting thing happened. I don’t mean when gymnast John Orozco fell off the pommel horse, or when the beach volleyball team of Misty May-Treanor and Kerri Walsh-Jennings lost a set for the first time in their accomplished Olympic careers (Relax: They rallied to win their match and advance to the next round). Rather, the disturbing event was a promo for a new NBC TV program entitled "Stars Earn Stripes."
The new show, hosted by retired General Wesley Clark, takes various minor celebrities (e.g., Sarah Palin’s husband Todd, singer Nick Lachey, former Olympic skier Picabo Street, etc.) and runs them through some mock military training, apparently including a few live fire drills. The idea, as near as I can tell, is to show these semi-famous people doing the sorts of things that military personnel do. And using real ammo is supposed to lend a certain verisimilitude, make it seem at least mildly dangerous, exploiting the well-documented human fascination with seeing stuff blow up.
This whole idea strikes me as so wrong that I hardly know where to begin. For starters, war is a serious business in which real human beings die. It’s not a sporting competition to be conducted for our amusement, even if wartime coverage here in the safe and secure United States sometimes makes it seem like entertainment. Turning military training into a tawdry reality show obliterates the moral significance of violent conflict and invites us to pretend that it’s all some sort of game. Can you think of a better way to demean the idea of genuine military service than to have a bunch of minor celebrities play soldier on camera?
The new show is also going to be unrealistic, in the sense that its not likely to give viewers an accurate picture of the full range of combat activities. We’ll probably get to see the stars doing basic drills, running obstacle courses, and maybe firing some weapons, but we’re not going to see them getting wounded, experiencing PTSD, dealing with intestinal parasites, shivering for days in a high altitude foxhole, or watching a close buddy expire from an IED blast. For that matter, we’re also not going to see any of them sitting in a cubicle here in the United States operating an RPV against some suspected terrorist group in Pakistan, Yemen, or some other faraway country. Or how about another basic military activity: heading up to Capitol Hill to lobby for some expensive weapons system? In other words, "Stars Earn Stripes" will be presenting a selective and sanitized view of "military activities," chosen to be suitable for the viewing public and carefully designed not to make viewers less likely to buy the sponsors’ products.
Finally, this new show must be seen as yet another manifestation of the uncritical deference to all things military that gets in the way of an intelligent national security policy. Don’t get me wrong: I support a strong national defense and I am grateful for the sacrifices that real soldiers and sailors make on our behalf. But based on the promo I saw last night, this silly show portrays military service as the acme of human achievement, as the most demanding set of skills that these minor celebrities could aspire to master. As such, it subtly contributes to the idea that people in uniform are the greatest Americans, which in turn reinforces the belief that shoveling more and more money at the Pentagon is the best way to make Americans safer and more prosperous.
To repeat: A capable defense is a valuable asset, and the United States (and other countries), should spend what is necessary to protect their vital national interests. But both the Founding Fathers and experienced generals like former president Dwight D Eisenhower also understood that a healthy society must remain vigilant against the dangers of excessive military influence. By placing military activity on a weird sort of pedestal, "Stars Earn Stripes" will in some small way discourage the critical scrutiny that is necessary to keep today’s powerful national security establishment under effective civil control.
Blake Hounshell is managing editor at Foreign Policy, having formerly been Web editor. Hounshell oversees ForeignPolicy.com and has commissioned and edited numerous cover stories for the print magazine, including National Magazine Award finalist "Why Do They Hate Us?" by Mona Eltahawy. He also edits The Cable, FP's first foray into daily original reporting, and was editor of Colum Lynch's Turtle Bay, which in 2011 won a National Magazine award for best reporting in a digital format.
Blake joined Foreign Policy in 2006 after living in Cairo, where he studied Arabic, missed his Steelers finally win one for the thumb, and worked for the Ibn Khaldun Center for Development Studies. Blake was a 2011 finalist for the Livingston Awards prize for young journalists for his reporting on the Arab uprisings, and his Twitter feed was named one of Time magazine's "140 Best Twitter Feeds of 2011." Under his leadership, in 2008, Passport, FP's flagship blog, won Media Industry Newsletter's "Best of the Web" award in the blog category. Along with Elizabeth Dickinson, he edited Southern Tiger: Chile's Fight for a Democratic and Prosperous Future, the memoirs of former Chilean president Ricardo Lagos, published by Palgrave Macmillan in 2012.
A graduate of Yale University, Blake speaks mangled Arabic and French, is an avid runner, and lives in Washington with his wife, musician Sandy Choi, and their toddler, David. Follow him on Twitter @blakehounshell.| Passport |