- By Ty McCormickTy McCormick is an associate editor at Foreign Policy. Previously he was a freelance correspondent in Egypt, where he wrote about everything from military trials to revolutionary rap music. A 2011 Pulitzer Center grantee, he has written for Newsweek, the New Republic, the International Herald Tribune, and the Los Angeles Times, among others. He has also appeared as a commentator on Fox News and American Public Media’s Marketplace Tech. He holds a bachelor’s degree from Stanford University, and a master’s from the University of Oxford, where he was a Clarendon Scholar.
Last week, I blogged about some of the exciting technological advances Google Executive Chairman Eric Schmidt and Jared Cohen, director of Google Ideas, predict in their new book, The New Digital Age, which comes out on April 23. Today, I want to focus on one of their more sobering predictions — what they see as the future of news reporting.
On a very basic level, Schmidt and Cohen just put into words what deep down we already knew: that the proliferation of technology has turned everyone into a reporter and that media organizations will only lag further and further behind platforms like Twitter and Facebook, both of which are now regularly the first to serve up important breaking news. "If everyone in the world has a data-enabled phone or access to one — a not-so-distant reality — then the ability to ‘break news’ will be left to luck and chance," the authors write.
In a hyper-connected world, the mainstream media will have to get out of the business of breaking news (with the exception of investigative reporting) since "people will have little patience or use for media that cannot keep up." To survive, the authors predict, established media organizations will "report less and validate more." With huge amounts of unverified data floating around, readers will increasingly look to these outlets to identify what is important and separate rumor from fact. Analysis and contextualization will also become increasingly valuable, as more and more stories appear in the form of disjointed 140-character vignettes.
So far so good. But Schmidt and Cohen also foresee a far more frightening prospect. In one of the more distressing passages of the book, they suggest that celebrities might one day start their own "news portals" focused on pet issues that compete head-to-head with established news media. "[L]et’s call it Brangelina news," they write, with no trace of irony. "In short order, they become the ultimate source of information and news on the conflict because they are both highly visible and have built up enough credibility in their work that they can be taken seriously."
Such outfits would effectively subsidize coverage of an issue area — be it the conflict in Darfur or the hunt for Ugandan warlord Joseph Kony — displacing established news outlets whose coverage is sparse, whether because of insufficient funds or lack of interest. Some of these new media outfits "will be solid attempts to contribute to public discourse," the authors write, "but many will be vapid and nearly content free, merely exercises in self-promotion and commercialized fame." (One might easily imagine other outlets that are explicitly pernicious, established solely for the purpose of obscuring the truth or countering narratives seen as detrimental to sponsors’ interests.)
But Schmidt and Cohen don’t think the rise of Brangelina news is cause for particular concern: "If a celebrity outlet doesn’t provide enough news, or consistently makes errors that are publicly exposed, the audience will leave," they write. In this, I’m not sure they’re right. Consistently bad (or fictitious reporting) from celebrity tabloids — of which these new outfits would be a logical extension — is clearly good for business. (People magazine is reportedly the most profitable publication in the world.)
Even news organizations that style themselves as more serious outlets appear to benefit from facts-free reporting. In the immediate aftermath of the Boston Marathon bombings, for example, both CNN and the New York Post did remarkably well despite shoddy coverage. (CNN managed to attract one of its biggest audiences of the decade on Friday, April 19, after four days of hit-and-miss coverage that earned it a shout-out on the Daily Show.)
I couldn’t find any hard data on how traffic to the New York Post‘s website fared during the week, but according Google Trends, searches for "New York Post" spiked to roughly five times the typical level (it’s hardly an exact proxy for web traffic, but I think it’s revealing nonetheless).
Here’s the same data for CNN.
Meanwhile, the New York Times and Wall Street Journal, both of which did standup jobs covering the bombing, saw more modest spikes in their Google Trends data.
Of course, the Google Trends data for the Boston Globe — which also did a solid reporting job — blows my whole theory out of the water, but I’m going to chalk it up to people wanting to hear what the local papers had to say.
Long story short, Schmidt and Cohen paint a believable picture of where news media is headed, but I’m not sure they recognize just how destructive it all might be. Even the business model they describe for Brangelina news is one that militates against substantive coverage. ("[T]hey might not even need to compensate reporters and stringers, some of whom would work for free in exchange for the visibility.") This model will no doubt be successful — assuming no one asks Nate Thayer to contribute — but it’s certainly not a recipe for high-quality copy.
John Hudson is a staff writer for Foreign Policy where he chases down stories from Foggy Bottom to the White House, the Pentagon to Embassy Row. Between 2009 and 2012, John covered politics and global affairs for The Atlantic Wire. In 2008, he covered the August War between Russia and Georgia for Salon.com and other news outlets. Over the years, he's dug up resignation-causing FEC documents; unmasked world-famous Internet trolls; exposed bizarre Photoshopping by government media; and revealed a secret Iranian military facility. John's weakness is cold craft beer from his birthplace of Grand Rapids, Michigan. He's appeared on MSNBC, BBC, C-SPAN, Fox News radio, and other broadcast outlets.| Passport |
Alicia P.Q. Wittmeyer is assistant managing editor for online at Foreign Policy. Her work has appeared in the Los Angeles Times, the Washington Post, and Forbes, among other places. She holds a bachelor's degree from U.C. Berkeley, and master's degrees from Peking University and the London School of Economics. The P.Q. stands for Ping-Quon.| Passport |
Shane Harris is a senior staff writer at Foreign Policy, covering intelligence and cyber security. He is the author of The Watchers: The Rise of America's Surveillance State, which chronicles the creation of a vast national security apparatus and the rise of surveillance in America. The Watchers won the New York Public Library’s Helen Bernstein Book Award for Excellence in Journalism, and the Economist named it one of the best books of 2010. Shane is the winner of the Gerald R. Ford Prize for Distinguished Reporting on National Defense. He has four times been named a finalist for the Livingston Awards for Young Journalists, which honor the best journalists in America under the age of 35. Prior to joining Foreign Policy, he was the senior writer for The Washingtonian and a staff correspondent at National Journal.| Interview |