The best twenty movies from the last twenty years

Roger Simon has posted his favorite twenty films of all time. It’s a good list — but at the end, he observes, “What interest me is there isn’t a single movie on this list made in the last twenty years.” Anyone who’s been to my personal page knows that I’m a movie buff, and that ...

By , a professor of international politics at the Fletcher School of Law and Diplomacy at Tufts University and co-host of the Space the Nation podcast.

Roger Simon has posted his favorite twenty films of all time. It's a good list -- but at the end, he observes, "What interest me is there isn't a single movie on this list made in the last twenty years." Anyone who's been to my personal page knows that I'm a movie buff, and that I like older movies a great deal. However, in defense of my generation's moviegoing habits, I feel it necessary to counter Roger's list with what I think are the twenty best movies from the past twenty years. In chronological order: 1) The Purple Rose of Cairo -- Woody Allen (The ending is so heartbreaking that I've never watched it through to the end a second time). 2) Bull Durham -- Ron Shelton (Everyone mentions the big speech Kevin Costner's character gives about what he believes. That's actually the worst part of the movie. Everything else in the film gets the rhythm of baseball, sex, and the mysteries of success perfectly). 3) Say Anything -- Cameron Crowe (The amazing thing about Crowe's movies -- anyone with more than three lines of dialogue is a fully-formed, three-dimensional character). 4) Do the Right Thing -- Spike Lee (Gorgeous photography by Earnest Dickerson, a screenplay that spends 80% of the movie walking the fine line between comedy and tragedy, and an ambiguous ending). 5) The Fabulous Baker Boys -- Steve Kloves (Dave Grusin's soundtrack is divine, and Michelle Pfeiffer's performance defines sultry. The Bridges brothers were good, too) 6) The Silence of the Lambs -- Jonathan Demme (What's amazing, in light of Demme's later trend towards the pedantic, is the subtlety of the direction here. Oh, and the scenes between Anthony Hopkins and Jodie Foster are pretty good). 7) Reservoir Dogs -- Quentin Tarantino (The dialogue is great, but it's often forgotten that Tarantino cut the camera away at the moments of horrific violence in this movie. Plus, the ending puts the lie to the notion that "nothing matters" in Tarantino films). 8) Groundhog Day -- Harold Ramis (Something I never thought possible -- a heart-warming Bill Murray movie). 9) Schindler's List -- Steven Spielberg (A meditation on the mysteries of good and evil). 10) Four Weddings and a Funeral -- Mike Newell (The last ten years have been lean for romantic comedies, but this one can hold its own. Not a word out of place). 11) Courage Under Fire -- Ed Zwick (In terms of acting performances, the most underrated movie of the past ten years. Denzel Washington, Meg Ryan, Matt Damon, and Lou Diamond Phillips are all outstanding). 12) Saving Private Ryan -- Steven Spielberg (The first movie I cried at since ET: The Extra Terrestrial). 13) Election -- Alexander Payne (The best movie about politics ever made. That's right, I said ever). 14) Run Lola Run -- Tom Tykwer (A perfect exercise in plot minimalism. Plus, a kick-ass soundtrack). 15) The Matrix -- The Wachowski Brothers (The only other movie that left me this awestruck at the power of movies was Raiders of the Lost Ark). 16) Toy Story 2 -- John Lasseter (The first one was great -- the second one was a perfect mix of poignancy and hilarity). 17) The Insider -- Michael Mann (This movie shouldn't work, in that there are only two moments of decision in the entire film. It's to Mann's credit that the entire film is gripping). 18) Mulholland Drive -- David Lynch (This man's films scare me like no others. Plus, it has the most erotic scene put on film in the past twenty years). 19) Crouching Tiger, Hidden Dragon -- Ang Lee (The martial arts!! The music!! The joy of discovering Zhang Zhiyi!!) 20) Monsoon Wedding -- Mira Nair (Gorgeous photography, great music, and an interesting exploration of tradition and modernity in India). Looking over the list, I'm intrigued to see how much action and music played a role in my decisions. Let the debate commence!! UPDATE: Damn, lots of good movies that commenters and other bloggers have raised that I didn't think about when I composed the list -- This is Spinal Tap, The Princess Bride, Searching for Bobby Fischer, Lone Star, L.A. Confidential, Zero Effect, and High Fidelity. Maybe I would take one of these over Courage Under Fire, but otherwise I'm still comfortable with the list.

Roger Simon has posted his favorite twenty films of all time. It’s a good list — but at the end, he observes, “What interest me is there isn’t a single movie on this list made in the last twenty years.” Anyone who’s been to my personal page knows that I’m a movie buff, and that I like older movies a great deal. However, in defense of my generation’s moviegoing habits, I feel it necessary to counter Roger’s list with what I think are the twenty best movies from the past twenty years. In chronological order: 1) The Purple Rose of Cairo — Woody Allen (The ending is so heartbreaking that I’ve never watched it through to the end a second time). 2) Bull Durham — Ron Shelton (Everyone mentions the big speech Kevin Costner’s character gives about what he believes. That’s actually the worst part of the movie. Everything else in the film gets the rhythm of baseball, sex, and the mysteries of success perfectly). 3) Say Anything — Cameron Crowe (The amazing thing about Crowe’s movies — anyone with more than three lines of dialogue is a fully-formed, three-dimensional character). 4) Do the Right Thing — Spike Lee (Gorgeous photography by Earnest Dickerson, a screenplay that spends 80% of the movie walking the fine line between comedy and tragedy, and an ambiguous ending). 5) The Fabulous Baker Boys — Steve Kloves (Dave Grusin’s soundtrack is divine, and Michelle Pfeiffer’s performance defines sultry. The Bridges brothers were good, too) 6) The Silence of the Lambs — Jonathan Demme (What’s amazing, in light of Demme’s later trend towards the pedantic, is the subtlety of the direction here. Oh, and the scenes between Anthony Hopkins and Jodie Foster are pretty good). 7) Reservoir Dogs — Quentin Tarantino (The dialogue is great, but it’s often forgotten that Tarantino cut the camera away at the moments of horrific violence in this movie. Plus, the ending puts the lie to the notion that “nothing matters” in Tarantino films). 8) Groundhog Day — Harold Ramis (Something I never thought possible — a heart-warming Bill Murray movie). 9) Schindler’s List — Steven Spielberg (A meditation on the mysteries of good and evil). 10) Four Weddings and a Funeral — Mike Newell (The last ten years have been lean for romantic comedies, but this one can hold its own. Not a word out of place). 11) Courage Under Fire — Ed Zwick (In terms of acting performances, the most underrated movie of the past ten years. Denzel Washington, Meg Ryan, Matt Damon, and Lou Diamond Phillips are all outstanding). 12) Saving Private Ryan — Steven Spielberg (The first movie I cried at since ET: The Extra Terrestrial). 13) Election — Alexander Payne (The best movie about politics ever made. That’s right, I said ever). 14) Run Lola Run — Tom Tykwer (A perfect exercise in plot minimalism. Plus, a kick-ass soundtrack). 15) The Matrix — The Wachowski Brothers (The only other movie that left me this awestruck at the power of movies was Raiders of the Lost Ark). 16) Toy Story 2 — John Lasseter (The first one was great — the second one was a perfect mix of poignancy and hilarity). 17) The Insider — Michael Mann (This movie shouldn’t work, in that there are only two moments of decision in the entire film. It’s to Mann’s credit that the entire film is gripping). 18) Mulholland Drive — David Lynch (This man’s films scare me like no others. Plus, it has the most erotic scene put on film in the past twenty years). 19) Crouching Tiger, Hidden Dragon — Ang Lee (The martial arts!! The music!! The joy of discovering Zhang Zhiyi!!) 20) Monsoon Wedding — Mira Nair (Gorgeous photography, great music, and an interesting exploration of tradition and modernity in India). Looking over the list, I’m intrigued to see how much action and music played a role in my decisions. Let the debate commence!! UPDATE: Damn, lots of good movies that commenters and other bloggers have raised that I didn’t think about when I composed the list — This is Spinal Tap, The Princess Bride, Searching for Bobby Fischer, Lone Star, L.A. Confidential, Zero Effect, and High Fidelity. Maybe I would take one of these over Courage Under Fire, but otherwise I’m still comfortable with the list.

Daniel W. Drezner is a professor of international politics at the Fletcher School of Law and Diplomacy at Tufts University and co-host of the Space the Nation podcast. Twitter: @dandrezner

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