It would have worked if it wasn’t for those meddling French literary critics!!

Curse that Ilias Yocaris!! Last month, the professor of literary theory and French literature at the University Institute of Teacher Training in Nice published an essay about the Harry Potter series in Le Monde. Now the New York Times translates it for today’s op-ed page. The highlights: On the face of it, the world of ...

By , a professor of international politics at the Fletcher School of Law and Diplomacy at Tufts University and co-host of the Space the Nation podcast.

Curse that Ilias Yocaris!! Last month, the professor of literary theory and French literature at the University Institute of Teacher Training in Nice published an essay about the Harry Potter series in Le Monde. Now the New York Times translates it for today's op-ed page. The highlights:

Curse that Ilias Yocaris!! Last month, the professor of literary theory and French literature at the University Institute of Teacher Training in Nice published an essay about the Harry Potter series in Le Monde. Now the New York Times translates it for today’s op-ed page. The highlights:

On the face of it, the world of Harry Potter has nothing in common with our own. Nothing at all, except one detail: like ours, the fantastic universe of Harry Potter is a capitalist universe…. Harry Potter, probably unintentionally, thus appears as a summary of the social and educational aims of neoliberal capitalism. Like Orwellian totalitarianism, this capitalism tries to fashion not only the real world, but also the imagination of consumer-citizens. The underlying message to young fans is this: You can imagine as many fictional worlds, parallel universes or educational systems as you want, they will still all be regulated by the laws of the market. Given the success of the Harry Potter series, several generations of young people will be indelibly marked by this lesson.

Dammit, the capitalist shock troops were supposed to get to Yocaris before he spilled the beans!! Read the whole thing, if only for the amusement value. I found myself with four semi-serious responses (in increasing order of seriousness):

1) I knew French literary theory and Islamic fundamentalism had something in common!! 2) I must applaud Yocaris for the display of willful blindness that requires him to ignore the larger cleavages played out in the Harry Potter series — you know, petty themese like children rebelling against adult authority, ignorance from outsiders, and grappling with their growing capabilities. Nope, clearly Harry Potter is all about the plutocratic power of Gringotts. 3) The primary political cleavage that is discussed in the Harry Potter series is between the Slytherins who believe that Mudblood magicians are beneath contempt, followed closely by poor magicians (hence the contempt for the Weasleys). For Harry Potter’s enemies, what matters are bloodlines and inherited wealth — in other words, they’re feudal lords. Any Marxist worth their salt should recognize that the Harry Potter series is really about the capitalist bourgeoisie having to battle against the last remnants of the feudal epoch of production that was so recently overthrown. Since society must go through the capitlist mode of production, with its phenomenal increases in productivity, before reaching the socialist utopia, one would think that Yocaris would applaud those retrograde forces looking to reverse the inexorable dialectic of historical materialism. 4) Finally, thank God it’s a capitalist world system in Harry Potter. The worst aspect of science fiction/science fantasy books is their malign neglect of the laws of economics. Why don’t Starfleet officers and crew carry cash? There’s no such thing as port call on these series? It’s not just a niggling issue — it detracts from the overall aesthetic enjoyment. Assuming away money, credit, or other economic concepts assaults the reader/viewer’s willing suspension of disbelief, making a fantasy just a little less believable, and therefore a little less enjoyable. One of the reasons the Harry Potter series resonates so well is precisely how Rowling is able to take the alternative universe of wizards and embed it in a world that resembles our own. Finally, it should be stressed that assuming a capitalist system does not mean one has to be uncritical of that system. In Harry Potter, tabloid journalism gets it on the chin. In sci-fi, the Alien series does not have the kindest view of corporate benevolence either.

OK, I’m clearly taking this way too seriously. The Times, incidentally, opens the essay by observing that “This article… got particular attention, including an essay published in response arguing that Harry is an antiglobalist crusader.” UPDATE: On my last point, I will Henry Farrell’s argument that, “Dan just hasn’t been reading the right science fiction/science fantasy books.” Certainly the sci-fi I’ve read that has stuck with me — William Gibson, Philip K. Dick — did not ignore the laws of economics. Mostly I was reacting to the endless hours of Star Trek I’ve consumed over the years. And I will be sure to read some of Henry’s suggestions — right after I get that tenure thing behind me.

Daniel W. Drezner is a professor of international politics at the Fletcher School of Law and Diplomacy at Tufts University and co-host of the Space the Nation podcast. Twitter: @dandrezner

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