THE TISSUE OF LIES UNRAVELS, PART ONE
My family is from Bangladesh, not India. My father, however, was born in ’39, so he was an Indian in a manner of speaking. And besides, I dig a good rogan josh at least as much as Siddharth, so I figure that, if not my undying love for Panjabi MC and Nehru jackets, makes me ...
My family is from Bangladesh, not India. My father, however, was born in ’39, so he was an Indian in a manner of speaking. And besides, I dig a good rogan josh at least as much as Siddharth, so I figure that, if not my undying love for Panjabi MC and Nehru jackets, makes me an honorary member of the Indian “diaspora” (to use a problematic and widely misused term). Bangladesh has been in the news, in a very heartrending way. I’m reminded of this debate I had in the backseat of a car with this punk kid I barely knew: does the fact that my family is from Bangladesh make for a strong moral-ethical obligation to that country? I argued, as a good cosmopolitan, that it does not: that I had an obligation to the very poor and others in dire need of assistance around the globe, but not to a particular foreign country on grounds of ethnic affiliation. That still strikes me as sound, but the upshot is the same: Bangladesh is a country in dire straits, and it needs my help: I wish I could do something, and I imagine (or hope) that at least a few other middle class Americans feel the same way. I should say that my cosmopolitanism is (I like to think) a serious normative commitment, but it doesn’t run that deep. I’ve always identified very strongly as an American. While I don’t consider myself a national chauvinist (I wouldn’t, for example, pee on someone for being Canadian, let alone set them ablaze, though I might be sorely tempted), I love my native country for fairly old-school nationalist reasons—i.e., not for the Constitution, which is perfectly adequate, but for its language, culture, and a sense that I’m entangled in its troubled-yet-inspiring history. Which is why I think “Harold and Kumar Go to White Castle” rules so hard. I’ve already seen it three times, and I imagine I’ll see it again very soon. Go watch it. Seriously, it rules. P.S.- So Drezner hooked me on the "Garden State" teaser trailer, right? And I was like, "Whoa, this song is sick" (in a good way). Foolishly, I purchased the Frou Frou album in question. That the band was named "Frou Frou" should've been the hint that it was not for me: I am a sworn, indefatigable opponent of all that is "Frou Frou." I bought it regardless. Dang. Don't make the same mistake. Instead, check out The Killers. I had been listening exclusively to the brilliant "Mr. Brightside," but the balance of the album is similarly dope. I've also been listening to Ocean Rain lately. Definitely worth a listen. And as for the movie, well, Natalie Portman delivers in a major way (as she almost always does, and I'm not saying this, contrary to popular belief, because she is, as they say, "smokin'"), but Zach Braff needs a smack. A gentle smack. I mean, I fundamentally like the guy.
My family is from Bangladesh, not India. My father, however, was born in ’39, so he was an Indian in a manner of speaking. And besides, I dig a good rogan josh at least as much as Siddharth, so I figure that, if not my undying love for Panjabi MC and Nehru jackets, makes me an honorary member of the Indian “diaspora” (to use a problematic and widely misused term). Bangladesh has been in the news, in a very heartrending way. I’m reminded of this debate I had in the backseat of a car with this punk kid I barely knew: does the fact that my family is from Bangladesh make for a strong moral-ethical obligation to that country? I argued, as a good cosmopolitan, that it does not: that I had an obligation to the very poor and others in dire need of assistance around the globe, but not to a particular foreign country on grounds of ethnic affiliation. That still strikes me as sound, but the upshot is the same: Bangladesh is a country in dire straits, and it needs my help: I wish I could do something, and I imagine (or hope) that at least a few other middle class Americans feel the same way. I should say that my cosmopolitanism is (I like to think) a serious normative commitment, but it doesn’t run that deep. I’ve always identified very strongly as an American. While I don’t consider myself a national chauvinist (I wouldn’t, for example, pee on someone for being Canadian, let alone set them ablaze, though I might be sorely tempted), I love my native country for fairly old-school nationalist reasons—i.e., not for the Constitution, which is perfectly adequate, but for its language, culture, and a sense that I’m entangled in its troubled-yet-inspiring history. Which is why I think “Harold and Kumar Go to White Castle” rules so hard. I’ve already seen it three times, and I imagine I’ll see it again very soon. Go watch it. Seriously, it rules. P.S.- So Drezner hooked me on the “Garden State” teaser trailer, right? And I was like, “Whoa, this song is sick” (in a good way). Foolishly, I purchased the Frou Frou album in question. That the band was named “Frou Frou” should’ve been the hint that it was not for me: I am a sworn, indefatigable opponent of all that is “Frou Frou.” I bought it regardless. Dang. Don’t make the same mistake. Instead, check out The Killers. I had been listening exclusively to the brilliant “Mr. Brightside,” but the balance of the album is similarly dope. I’ve also been listening to Ocean Rain lately. Definitely worth a listen. And as for the movie, well, Natalie Portman delivers in a major way (as she almost always does, and I’m not saying this, contrary to popular belief, because she is, as they say, “smokin'”), but Zach Braff needs a smack. A gentle smack. I mean, I fundamentally like the guy.
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