The scholarly spread of the undead begins….
Your humble blogger is media whored out taking a small vacation with the Official Blog Family at an undisclosed location somewhat removed fron the interwebs. Blogging will happen only if thew Official Blog Wife lets me near a computer be intermittent for the rest of this week. In the meantime, for your consideration, I give ...
Your humble blogger is media whored out taking a small vacation with the Official Blog Family at an undisclosed location somewhat removed fron the interwebs. Blogging will happen only if thew Official Blog Wife lets me near a computer be intermittent for the rest of this week.
In the meantime, for your consideration, I give you a link to an article from the February 2011 issue of International Studies Perspectives: Derek Hall, "Varieties of Zombieism: Approaching Comparative Political Economy through 28 Days Later and Wild Zero."
The abstract:
Your humble blogger is media whored out taking a small vacation with the Official Blog Family at an undisclosed location somewhat removed fron the interwebs. Blogging will happen only if thew Official Blog Wife lets me near a computer be intermittent for the rest of this week.
In the meantime, for your consideration, I give you a link to an article from the February 2011 issue of International Studies Perspectives: Derek Hall, "Varieties of Zombieism: Approaching Comparative Political Economy through 28 Days Later and Wild Zero."
The abstract:
This paper argues that the frequent references to zombies in analyses of the recent global financial crisis can be harnessed as a “teachable moment” for students of Comparative Political Economy. I claim that two zombie movies in particular—Britain’s 28 Days Later and Japan’s Wild Zero—can be viewed as if they were allegories of two different national forms of capitalism that are integrated into, and affect, the global political economy in different ways. While 28 Days Later displays remarkable similarities to Marxist accounts of the origins and dynamics of capitalism in England, Wild Zero can be seen as an account of the post-1985 dynamics of the Japanese political economy and its engagement with Asia. This paper gives concrete suggestions for the use of zombie films in the classroom. It concludes with the argument that these two films help to explain why references to “zombie capitalism” cross ideological lines.
Enjoy devouring it!
Daniel W. Drezner is a professor of international politics at the Fletcher School of Law and Diplomacy at Tufts University and co-host of the Space the Nation podcast. Twitter: @dandrezner
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