“We Are Bellingcat” charts the rise of the digital sleuths who have used open-source investigations to foil Russia’s intelligence agencies.
“The World for Sale” peels back the cover on the secretive—and sometimes shady—people who make the modern world go around.
“Quo Vadis, Aida?” could do for the Srebrenica massacre what “Schindler’s List” accomplished for the Holocaust.
“You Don’t Belong Here” tells the story of three trailblazers who cleared the way for generations of female journalists after them.
A new book argues that America’s massive military is predicated on imaginary threats—and we’d all be better off without it.
A new documentary reveals the human cost of a decadeslong deterrence policy at the southern U.S. border. Will President Biden do anything about it?
“The Daughters of Kobani” chronicles the female Kurdish fighters who battled terrorists, fought for equality, and then got stabbed in the back.
Horror has always been political. In Jayro Bustamante’s “La Llorona,” the long shadow of genocide haunts the house.
Mike Konczal’s ‘Freedom From the Market’ resurrects a lost U.S. tradition.
A new book by a Biden administration official puts a spotlight on the wisdom—and limits—of diplomatic competence.
The U.S. Constitution is breaking down in ways that its designers recognized from history—and thought they had guarded against.
“The China Nightmare” lays out the risks of a surprisingly fragile state.
G. John Ikenberry’s new book traces what went wrong. And Biden is listening.
A new book offers riveting and memorable reporting, though it falls back on outdated narratives of a country that has moved on.
The French Senegalese writer David Diop revises the modernist archetype with a protagonist long excluded from World War I literature: the African soldier on the front lines.